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Merrick here...
Early last month, Brett Ratner did an interview with MTV regarding BEVERLY HILLS COP 4.
A particular quote in the interview lead many to the logical conclusion that the new BHC project would have a considerably softer tone/rating than its predecessors.
When asked what is biggest challenge would be, Ratner seemed to indicate that his new film would be geared towards a very PG audience.
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Hey all. Capone in Chicago here.
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Greetings! ScoreKeeper here targeting a flock of audio clips from James Horner's score for AVATAR (2009). I have to admit, I'm not a fan of listening to audio clips myself and have not done so in this case. I don't even really like listening to the score ahead of actually seeing the film. However, some folks are itching to be the first to wrap their ears around whatever morsels of score drop from the table of Cameron. And so, for you whom I speak of, I bring you these clips.
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Hey everyone. Capone in Chicago here.
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Greetings! ScoreKeeper here with news regarding a major "holy grail" soundtrack release announced earlier today by Intrada.
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Hey everyone. Capone in Chicago here.
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Friday 18-49 finals (previous weeks in parentheses):
2.0 (2.0) (1.9) (2.0) (2.1) (2.0) (2.2) (1.7) (2.3) Ghost Whisperer
1.9 (2.0) (1.9) (1.9) (2.1) (1.9) (2.0) (1.9) (2.1) Medium
1.9 (----) (---) (----) (---) (----) (----) (----) (---) Shrek The Third
1.8 (2.0) (2.8) (1.7) (1.6) (2.0) (1.5) (1.7) (2.3) 20/20
1.7 (1.7) (1.8) (1.7) (1.8) (1.8) (1.6) (1.6) (1.8) Numbers
1.5 (1.7) (---) (1.6) (1.7) (---) (1.5) (1.8) (1.5) Dateline
1.4 (1.6) (1.7) (1.4) (1.5) (1.6) (1.5) (1.2) (1.2) Law & Order
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Hey folks, Harry here with a nice 15 minute or so interview with James Cameron in his lair, where he's working on finishing AVATAR... tick ... tick ... tick ... And yes, I saw the piece that 60 MINUTES did, but Morley looked a bit lost and out of his realm in the interview. This guy for CNN, he's a geek - you can see it. Now, he doesn't seem to be greatly informed, but he at least has a healthy appreciation for Genre work.
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Ahoy, squirts! Quint here taking a break from the Holiday Gift Guide to run a little spot o' news for ya' this morning. I love me some Steven Spielberg (obviously) and I love me some Hugh Jackman (WOLVERINE: ORIGINS notwithstanding) and more importantly I love the sound of this project they're doing together.
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Hey folks, Harry here with not a typical story. Yes, I know that Moriarty is no longer writing at AICN. And I know that he's gone in hiding under the alias of Drew McWeeny - which couldn't possibly be real. And you may notice on his Twitatar, that he's plucked bald. How did that happen? The man, willingly, walked into a screening of OLD DOGS.
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Hey everyone. Capone in Chicago here.
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Hey everyone. Capone in Chicago here.
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Merrick here...
60 MINUTES featured a 12 minute(ish) report on AVATAR last night. CBS has been kind enough to provide the piece for all to see via miraculous embed. I haven't watched this yet, so I can't vouch for its coolness. Here ya go...
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Merrick again...
The sequence linked below is confirmed. It's from a very early draft of the script.
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Ahoy, squirts! Quint here with my chat with the legendary director Mr. Werner Herzog. You’ve probably noticed my enthusiasm for his film BAD LIEUTENANT: PORT OF CALL NEW ORLEANS which began at Telluride. I would call it his new film, but the dude has another film in the can already (MY SON, MY SON WHAT HAVE YE DONE? which also showed at Telluride).
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Logo handmade by Bannister
Column by Scott Green
Marking Nine Years at AICN....
In 2000, around Thanksgiving, I signed onto to AICN to add anime coverage to its then running Asian media column. Soon there after, as that feature faded away, AICN Anime was spun into its own column.
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Ahoy, squirts! Quint here. You might call this a bit of non-news... and you might be right. But you'd be dead wrong if you don't think the below isn't worth posting.
What I've embedded is a mod which originated here and just like the unofficial Ghostbusters Mod that was linked and forwarded across the internet a few years ago I'd be willing to bet that this amazing piece of work kick-starts a real next-gen console Back to the Future game.
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